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• Temple of Athena Nike

  This enchanting temple, with a graceful Ionic portio, perches high on a terrace off to the right (southwest) of the Propylaea, and has a glorious panorama of the sea and distant mountains.

  Built between 427 and 424 BC by the architect Callicrates, during a respite from the Peloponnesian War, it was devoted to Athena as the goddess of peace and victory.

  The temple housed a statue of her which became known as the Wingless Victory herself was always shown with wings. The temple was torn down by the Turks in 1687 to make way for an artillery position; the one which is now standing was later painstakingly reassembled from the rubble by archaeologists during the 19th and 20th centuries.

  Passing through the Propylaea, you come out into the great sloping plateau of the Acropolis. Try to imagine the scene 2,400 years ago, when these masterworks of architecture and sculpture were going up. Scores of stone cutters; carpenters, founders and braziers, goldsmiths, ivory workers, painters, dyers, and even embroiderers swarmed over this ground. For the most part they were freemen, not slaves, practitioners of nearly every art and craft then known.

  Dominating the immediate foreground was an enormous bronze statue of Athena under another guise – Athena Promachos, the Defender. This statue of the goddess holding shield and spear was created by Phipias to honour the visitor at Marathon.

  It’s said that sailors could spot the tip of her helmet as their ships sailed around the gulf from Sounion. That statue stood here for 1,000 years, until it was carted off to Constantinople in the 6th century AD.

  Temple of Athena Nike Acropolis, Dionysiou Areopagitou, Athina 105 58, Greece

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• Propylaea

  Six Doric columns mark the monumental entrance to the Acropolis. More than a grand gateway, the function of the Propylaea was to generate awe and respect, and prepare lesser mortals for a meeting with the goddess.

  Construction began in 437 BC, but was halted five year later by the Pelopon-nesian War and never finished.

  The central and largest of the gateways was intended for chariots and approached by a ramp: steps lead up to the four other entries.

  As you reach the porch, you’ll see Ionic as well as Doric columns; this was the first building to incorporate both styles (compare the solid majesty of the Doric with the light elegance of the Ionic).

  The Pinakotheke on the left side housed a gallery of paintings done on wooden panels, depicting heroic deeds.

  Propylaea Acropolis, Dionysiou Areopagitou, Athina 105 58, Greece

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• Odeon of Herodes Atticus

  Summer plays and concerts are stages in this restored ancient theatre.
  
  Atticus was rich Athenian who donated the theatre to the city in AD 161, in memory of his deceased wife.
  
  The triple-tiered, arched façade is typical of Roman theatre, but the white marbles seats are modern restoration.

  Odeon of Herodes Atticus Areopagitou Dionisiou, Athina 105 55, Greece

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• Acropolis of Athens

  This ancient citadel and landmark of Athens contains some of the world’s finest monuments of the antiquity, including the Parthenon and the Erechtheion, with its unusual Porch of the Caryatids. Admission includes entrance to the Acropolis Museum. These are wonderful views over Athens and the ancient Agora.

  This 4ha (10-acre) rock rising 90m (300ft) above the plain of the Attica reigns over Athens with timeless majesty. Its name is derived from Greek and means ‘high town’: acro -- highest point and polis – town or city. It also means ‘citadel’.

  Acropolis of Athens Athens 105 58, Greece

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• Erechtheion

  Across the Acropolis plateau at the northern wall stands the Erechtheion, a temple unlike any other in the ancient world. It originally housed three cults – those of Athena, Poseidon and Erechtheus – in one building. Constructed on irregular ground, the sharply different foundations contribute to its amalgamated shape. Built entirely in wartime, this was the last temple to go up on the Acropolis. Construction lasted 15 years, with the dedication being carried out in 406 BC.
  
  This was the site of the legendary contest between Athena and Poseidon. In a corner of the north porch you’ll find an uncovered hole containing a rock with markings. According to some, these were made by Poseidon’s trident; another version relates that Zeus sent a lightning bolt down upon the scarred rock.

  The most famous features of the Erechtheion, are the southern Porch of the Caryatids, where six pound, elegant maidens hold up the roof. Though named after a village near Sparta whose girls were noted in antiquity for their upright posture, the Caryatids were actually Athenians. The long tunics are draped in imitation of column flutings, while the fruit baskets on their heads replace capitals. The portico protected a holy place, the tomb of Athens’ mythical founder – king, Cecrops.

  Today’s statues are replicas. Five of the originals were taken inside the Acropolis Museum after being damaged by pollution, the decay reaching 6mm (¼in) in depth. The sixth figure was removed by Lord Elgin to the British Museum.

  Erechtheion Akropolis, Athina 105 58, Greece

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• Ancient Agora of Athens

  Wander around the sprawling ruins of the ancient marketplace, where democracy and philosophy had their beginnings.

  The museum within holds a large collection of pots, coins, household objects and pottery fragments (ostraka), on which the Athenians wrote names of prominent men they wanted to vote into exile. Also here are a huge bronze shield taken from the Spartans during the Peloponnesian War and a klirotirion, and unusual device for relegating public duties by lot – and important feature of ancient Athenian democracy.

  Ancient Agora of Athens Adrianou, Athina 105 55, Greece

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• Parthenon

  The French poet Lamartine called the Parthenon the ‘most perfect poem in stone’ and it is truely the magnificent beauty of the greatest architectural achievement of classical Greece.
  
  The Parthenon – meaning Temple of the Virgin – was dedicated to Athena, goddess of wisdom and justice, protectress of the city. It was designed by the sculptor Phidias using ancient principles of sacred numerology, geometry and architecture, and was executed by master architects Ictinus and Callicrates.
  
  The columns swell gently at the middle, leaning slightly inward, and the floor surface is convex. It is quite astonishing, but nowhere in the temple is there a straight line. One theory holds that this was designed to counteract the optical illusion by which straight lines, seen from a distance, appear to bend. All the subtly curving departures from both true vertical and horizontal give life and rhythmic movement to the stone. What’s more – and this is the architectural stroke of genius – they give the structure a magnificent symmetry.
  
  Aside from its cult functions, this supreme example of the Doric temple symbolized Athenian imperial glory as well as holding the national treasury. Ancient pagan temples were meant to be appreciated from the outside, so the Parthenon’s altar, where live offerings were slaughtered, actually stood outside the building, positioned opposite the eastern façade. Only a handful of privileged persons – priests or high officials – were permitted to enter the sacred cella (inner temple).

  Those admitted were able to view Phidias’ masterpiece, the 12m (39ft) high statue depicting Athena Parthenos, Athena the virgin, made of wood and covered with ivory and gold. The great ancient Greek historian Thucydides records its weight as 40 talents (1,052kg) or 2,320lb) which was a conservative estimate. By the 4^th century AD it had vanished forever, but you can see a 2^nd century AD copy, the Varvakeion Athena, in the National Archaeological Museum – at 1½ the original size.

  The decoration of the Parthenon was arguably the most ambitious of any temple the world has seen, with sculptures at three levels. Little of this remains. The renowned ‘Elgin Marblrs’ were removed by the British ambassador to Constantinople at the start of the 19^th century with Turkish permission, and are now in the British Museum in London. Since then the Greek government has lobbied long and hard for their return.

  Above the plain beam resting on the columns were 92 panels, each sculpted at 1.2m (4ft) square, called metopes, illustrating scenes of ancient conflict. Over the centuries most have been destroyed or removed (12 are in the British Museum). The best one that is still on show here is of a young Lapith, a mountain tribesman from Thessaly, struggling with a centaur.

  Two massive triangular pediments, now virtually empty, crown the front and rear ends of the Parthenon. Once they were adorned with some 50 larger – than – life statues representing the legends of Athena. 

  Parthenon Athens 105 58, Greece

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• Stoa of Attalos

  Inside the Stoa of Attalos there is the Agora Museum; Open 8.30am-2.45pm, closed Mon. Artifacts from the ancient marketplace and miniature models of the Acropolis and Agora in classical times.

  Stoa of Attalos Adrian 24 24, Αθήνα 105 55, Greece

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• Anafiotika

  Following Epicharmou street off to the left from Tripodon, you come to a remarkable white-washed village within the city: Anafiotika.
  
  To come with the severe housing shortage experienced in Athens after Greek independence, a law was passed which permitted anyone who built a house – or at least managed to get its roof up – between sunset and sunrise to occupy it.
  
  The first people to quality were two stone masons from the tiny Aegean island of Anafi. They were followed by other Anafiots, also masons, who built and restored houses and churches in their native style.
  
  As a result, this part of Athens resembles a Greek island, and today, the Anafiots living on the heights of Plaka outnumberthe 350 residents on their native Anafi.

  Anafiotika, Athina 117 42, Greece

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• The Pnyx

  This terraced hillside is the location of the Acropolis Sound and Light performances. The Pnyx – meaning ‘tightly packed space’ – is where the free citizens of 5th-century BC Athens met in democratic assembly.

  At that time, the rocky platform here was the site of the Stone of Vima, an ancient Speaker’s Corner, where people gathered to hear the likes of Pericles, Themistocles and Demosthenes hold forth.

  The Pnyx Mouson 23, Athina 117 41, Greece

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Here are some reviews of Areopagus - don't forget to let us know how you got on by using the drop box at the bottom of the page, or joining our community and making a review.

• Breanna Sheppard
  Just a big rock really though it does have a nice view. Apparently, apostles held sermons on it.
• Lian Meng Lennon Lim
  Love the architecture there
• Χρυσάνθη Πολύζου
  A perfect view to the whole city
• Sorin Vasile
  Amazing Point View
• Moisés Silva
  Wonderfulness. ...

We don't have any reviews of Areopagus at this time. If you've been recently please make a submission using the drop box at the bottom of the page, or better yet, join our community, participate and then write some reviews according to your Capacities and Reputation Score.